Between graphics and function, structural realism and formal aesthetics, Frédéric Sofia makes his way instinctively, from the world of objects to contemporary art.
Self-taught, his formation followed atypical and transversal paths. He functions without methodology, without theory, with a practical intuition that needs no explanation. He intervenes on the object in a way that is both classical and viral. The transformations, the messages, are subtly conveyed. Sly references take form and propagate. Without frontiers, a hybrid soul, he recognizes the signs of affiliation, respects individual groups, desacralizing symbols even as he restores them.